It's only $99 until Jbefore it goes to $249. With its true analog modeling of the highly nonlinear electronics of original's juiciness and grit, the H910 is useful to double and spread out guitars and vocals and, used more subtly, to fatten snares and de-tune synths. You can add harmonies or slapback delays to vocals or get freaky mechanical sounds, drone effects or robot language using self-oscillation, delay and anti-feedback controls as found on the original hardware unit. It's important to note that a number of enhancements have been added to this release. You get the H910 Dual Harmonizer which recreates the popular technique of running two H910 units in parallel with their outputs panned left and right to create lush doubling and stereo-widening with cross-feedback. The H910-EKD (Envelope/Keyboard/Delay) incorporates all of the features from the original hardware rack box with an onscreen recreation of the original piano-style keyboard remote controller that allows you to play musical pitch offsets and blend in a second delay line (Out 2) by using the new mixer controls for added stereo sound. The onscreen keyboard is also MIDI mapped-it works great as I found. “Gamma Ray” is available everywhere now, including via an arrestingly strange visual animated and directed by the project’s own Laura Marling The new envelope follower allows you to use the input signal to bend the pitch slightly (or massively) for wild harmonizer effects the H910 is known for.LUMP – the product of London singer-songwriter Laura Marling and Mike Lindsay of the band Tunng – have shared prog-indebted highlight from their anticipated upcoming second album ‘Animal’ (out this Friday 30 th July via Partisan/Chrysalis). Lindsay says of the track, “ There’s this part from the second half where you hear a voice, and in my mind that was the LUMP creature speaking to us saying ‘Excuse me, I don’t think we’ve been introduced’, and then it does this kind of ‘Ahhh!’ sound, that’s LUMP going through my Eventide H949 Harmonizer. Laura also uses the word ‘gawped,’ which is brilliant.” I think that’s how you say ‘LUMP’ in LUMP language. Marling adds, “ The lyrics are all just nonsense writing, but I always had in my mind a story I’d heard about my Dad’s cousin dying.
He died very young, he committed suicide sadly, obviously long before I was born. He was incredibly good looking and everyone loved him, and when they tolled the bell at his funeral two of my Dad’s sisters fainted.
‘Gawping’ comes from French singer Georges Brassens, who did a really weird song called ‘Brave Margot,’ and in the translation there is something about the men ‘gawping’.Īhead of release, the duo have shared other ‘Animal’ highlights, “ We Cannot Resist,” “ Climb Every Wall,” and the title track. Half cute, half dark and creepy, the songs Marling and Lindsay create as LUMP are unlike anything from either of their respective other projects. Marling’s lyrics are spontaneous, immediate, and playful (she drew heavily on her interest in psychoanalysis).
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